



YEAR:
2023
PROJECT:
See Better Lear
DESCRIPTION:
I teamed up as dramaturg with Keely Song Glenn, artistic director of Contemporary Dance Theater, to create a contemporary dance concert about King Lear. As a pair, we created a dramatic conceit that combined the setting of a college Shakespeare club, the plot of King Lear, and about a dozen contemporary dances. We wrote the script, arranged the dances, coached the actors, filled the lobby with educational posters about Shakespeare, and passed out marked up copies of Lear to audience members as if they were part of the book club.



YEAR:
2023
PROJECT:
The Conversation Around Conservation
DESCRIPTION:
I served as dramaturg for Words for Water, a concert at Brigham Young University that featured works by student creative writers and dancers. This project about Utah’s water systems involved five different departments on campus, including five faculty, nine choreographers, nine writers, and 27 dancers. Each choreographer was paired with a creative writing student and charged with creating an original dance about water that incorporated writing in some way. My dramaturgical work focused on researching the intersections between writing and movement, facilitating the collaboration between writers and choreographers, and educating audiences through program information and lobby displays about Utah’s water crisis.

YEAR:
2023
PROJECT:
Fiddler on the Roof: Balancing Yesterday and Today
Fourth Wall Dramaturgy
DESCRIPTION:
My dramaturgy for Brigham Young University’s MainStage production of Fiddler on the Roof involved me writing online content and investigating the parallels between the religious cultures of Anatevka, Ukraine and Provo, Utah.
REVIEWS
Thomas applies excellent analytical and creative skills in his performances. Working with dialects, Thomas uses his keen ear as well as fluency with IPA to speak them masterfully. Thomas’ performance in House of Desires, which I directed, demonstrated a nuanced understanding of classical language, as well as a remarkable level of professionalism. His work led to embodying his role fully (and hilariously). As a creative collaborator, Thomas accepts ideas, magnifies them, and consistently builds the world of the play. His positive and focused energy is infectious and benefits the entire creative company.
Adam Houghton
REVIEWS
Thomas is both an articulate and expressive artist and scholar, embodying a rare balance between physical practice and intellectual rigor. In a world that increasingly requires bridge builders and visionaries, Thomas exemplifies what it means to work in liminal spaces. He thoughtfully and astutely assesses situations, offering fresh insights rooted in his embodied practice. His presence is transformative, both within creative processes and in broader collaborative settings.
Keely Song Glenn
REVIEWS
Thomas is an exceptional student and was a pleasure to teach. I was continually impressed by his contributions to class discussion, and by the positive and encouraging attitude with which he addressed his peers. I am confident that Thomas will succeed in any academic institution lucky enough to count him among its students.
Julia Tejblum
REVIEWS
Thomas is a wonderful team player who creates positive energy in a workplace. He also demonstrates a depth of knowledge of literature, as well as critical thinking skills in the face of complex subjects. He has an ear for poetry and an eye for editing.
Alexandra Malouf