REVIEWS

Thomas applies excellent analytical and creative skills in his performances. Working with dialects, Thomas uses his keen ear as well as fluency with IPA to speak them masterfully. Thomas’ performance in House of Desires, which I directed, demonstrated a nuanced understanding of classical language, as well as a remarkable level of professionalism. His work led to embodying his role fully (and hilariously). As a creative collaborator, Thomas accepts ideas, magnifies them, and consistently builds the world of the play. His positive and focused energy is infectious and benefits the entire creative company.

Adam Houghton

REVIEWS

Thomas is both an articulate and expressive artist and scholar, embodying a rare balance between physical practice and intellectual rigor. In a world that increasingly requires bridge builders and visionaries, Thomas exemplifies what it means to work in liminal spaces. He thoughtfully and astutely assesses situations, offering fresh insights rooted in his embodied practice. His presence is transformative, both within creative processes and in broader collaborative settings.

Keely Song Glenn

REVIEWS

Thomas is an exceptional student and was a pleasure to teach. I was continually impressed by his contributions to class discussion, and by the positive and encouraging attitude with which he addressed his peers. I am confident that Thomas will succeed in any academic institution lucky enough to count him among its students.

Julia Tejblum

REVIEWS

Thomas is a wonderful team player who creates positive energy in a workplace. He also demonstrates a depth of knowledge of literature, as well as critical thinking skills in the face of complex subjects. He has an ear for poetry and an eye for editing.

Alexandra Malouf